Read reviews:
http://2012.kcfilmfest.org/detail/film/nailbiter
http://www.planetofterror.com/2012/03/nailbiter-2012.html
http://www.cinema-crazed.com/h-q/nailbiter.htm
http://www.digitalmacabre.com/index.cgi?action=display&board=indie&thread=866
http://www.dreadcentral.com/news/53374/patrick-reas-nailbiter-hitting-road-catch-it-event-near-you
http://cinemaheadcheese.blogspot.com/2012/03/movie-review-nailbiter-2012.html
http://www.horrorhound.com/store/product_detail.aspx?id=123
http://www.allthingshorroronline.net/2012/02/doing-fingernail-chomp-nailbiter-review.html

Read the write-up from the KC Chamber.

POV
“Point of view” shot. The camera takes the point of view of a character in the scene, it sees what the character sees. Usually follows a shot of the character.
OBJ. SHOT
An objective shot. The camera sees the scene from an angle not seen, by a character in the scene.
L.S. or W.S.
Long shot or wide angle shot. Refers to the angle and distance of lens. usually includes full figures and vistas or entire rooms.
M.S. or MCU.
Camera sees actor from waist
on up.
C.U.
Close up. Often a head and shoulders shot of a single person.
E.C.U.
Extra Close
up. e.g. nostrils and one eye
TWO SHOT
Camera frames two characters in scene.
MASTER SHOT
Also called Cover shot Usually a med. to wide angle shot of a scene that runs the duration of the action.
ESTABLISHING SHOT
Often a wide shot of the outside of a location Tells the audience where they are.
COVERAGE
All the set ups needed to edit the scene aside from the Master shot
SET UP
Refers to the position of a camera and the lighting of a shot or shots. “New set
up” refers to the camera moving to a new position.
INSERT
Often photographed by 2nd unit. A shot that shows details that are often missed by a master or coverage. i.e. a hand opening a purse and pulling out a gun.
O.S.
Off screen. Also called O.C., off camera. A description of what is heard but not seen on the screen
O.T.S.
Over the Shoulder shot. Usually a shot of a character in conversation with second person whose shoulder you shoot over.
AERIAL SHOT
A very high angle shot often accomplished with a helicopter or air
plane.
REACTION SHOT
Usually a close
up of a character reacting silently to action they have just seen or dialogue they are listening to.
REVERSE ANGLE
A shot that is 180 degrees opposite the preceding shot.
AMERICAN SHOT
(also called Hollywood or knee shot). A shot framed to include figures from the knees on up.
CUTAWAY
A term used in editing concerning a piece of information not seen in the master or previous shot.
JUMP CUT
Editing term for successive shots that cut in on the same axis. Also successive cuts that disrupt the flow of time or space.
MATCH CUT, OR MATCH DISSOLVE
Cutting or dissolving from one similar composition to another. i.e. From a close shot of a wheel to a globe of the world shot so that they fill the same size and position in the frame.
HIGH HAT SHOT
A low angle shot positioned as if it were a hat’s height off the floor
DOLLY SHOT
Also called Tracking or trucking shot. Camera travels on dolly tracks
PAN
The camera swivels on the horizontal axis, often used to follow the action.
SWISH PAN
A very swift pan that blurs the scene in between the starting and ending point.
CAR MOUNT
Any camera position that is mounted directly on a vehicle.
FOLLOW SHOT
Any moving shot that follows an actor.
BOOM SHOT
The camera travels up and down on a boom arm. Often combines with a dolly move.
TILT
The camera pivots up and down from it’s base, which does not move .
ZOOM
Refers to the movement of a zoom lens. Usually used in video.
STATIC SHOT
Any shot where the camera specifically does not move.
CRANE SHOT
A shot taken from a piece of equipment called a crane that has the ability to boom down and track in long distances with out using tracks.
STEADICAM SHOT
Shot using the steadicarn, a camera that attaches to a hamess and can be operated by a single person in hand held situations, but the resulting footage will appear to be shot with the smoothness of a tracking shot.
Writing: original script or adaptation
Directing: casting, rehearsing, working with actors, pre-production meetings with DP to determine lighting design, scouting locations
Producing: casting, securing locations, props, costumes, permissions, rights, releases, organizing production, logistics, assembling production notebook
Shooting Script: create shot breakdown from script. aerial views, storyboards, estimate production time
DP: collaborate with Director to determine visual style and lighting design, scouting locations, equipment needs, supervising lighting & camera crew, light readings, safety
Camera Operation: light readings, focus, camera movement, camera loading, canning film, camera reports, safety
Gaffer: setting lights, electricals. safety
Editor: creatively assembling the shots to support the intended theme of director, edit “plot point” sound; cut changes to picture after first mix
Sound Design: conceive map of sound design elements in collaboration with director and editor
Sound Recording: location recording, submit for transfer on time, research music and EFX and submit for transfer
Sound Cutting: assemble and cut in audio tracks according to sound designers wishes’, make changes to tracks after first mix
Mix Prep: create, assemble, and cut in remaining ambient and EFX tracks; split and clean tracks’, create cue sheets for mix, consult with mixer

Midwest Transplant Network donor families and local transplant recipients discuss how organ, tissue and eye donation has impacted their lives.

Midwest Transplant Network Donate Life

Come and judge these great deeds and accomplishments as they pertain to advertising at the Art+Copy Club’s annual Clio Watch Party featuring the 2011 CLIO Gold Reel. Doors open for elbow-rubbing at 5:30pm on Thursday, November 10th, at the Screenland in the Crossroads. Innovative and creative excellence as awarded in 2011 to begin on the big screen at 7:00pm.